Past Exhibition
1967 | °ÅÁ¦µµ Ãâ»ý |
1989 | È«ÀÍ´ëÇб³ Çлç |
2001 | È«ÀÍ´ëÇб³ ¼®»ç |
2006 | ·±´ø, ÿ½Ã Ä®¸®Áö ¼®»ç |
°³ÀÎÀü | |
2020 | Red Sansu-Between, The Columns °¶·¯¸®, Gillman Barracks, ½Ì°¡Æú |
2019 | Red Sansu-Between, ´õ Ä÷³½º °¶·¯¸®, ¼¿ï, Çѱ¹ |
' Between Red ' ÄコƮ Ȧ , º£¸£°Õ, ³ë¸£¿þÀÌ | |
Red Sansu, °¶·¯¸® ºÐµµ, ´ë±¸, Çѱ¹ | |
Red Sansu, ±³µ¿¹Ì¼ú°ü, ÀüÁÖ, Çѱ¹ | |
2018 | Red Sansu : The Moments, ½Å¼¼°è °¶·¯¸® ¼¾ÅÒ½ÃƼ , ºÎ»ê, Çѱ¹ |
2015 | Red- Silly Dream, ¹Ì¸Þ½Ã½º ¾ÆÆ® ¹ÂÁö¾ö, ÆÄÁÖ |
2014 | Between Red, VOUS ETES ICI °¶·¯¸®, ¾Ï½ºÅ׸£´ã, ³×´ú¶õµå |
2012 | Plastic Garden, ÇаíÀç °¶·¯¸®, ¼¿ï |
2011 | Between Red, Nicholas Robinson °¶·¯¸®, ´º¿å, ¹Ì±¹ |
2009 | Between Red, Zonca & Zonca °¶·¯¸®, ¹Ð¶ó³ë, ÀÌÅ»¸®¾Æ |
Between Red, Harewood House, ¸®Áî, ¿µ±¹ | |
Between Red, ASPEX Contemporary Art Gallery, Æ÷Ã÷¸Ó½º, ¿µ±¹ | |
Between Red, Union °¶·¯¸®, ·±´ø, ¿µ±¹ | |
Between Red, One and J °¶·¯¸®, ¼¿ï | |
2007 | Between Red, MIKI WICK KIM Contemporary Art, Ã븮È÷, ½ºÀ§½º |
2001 | Daily, È«ÀÍ´ëÇб³ Çö´ë¹Ì¼ú°ü, ¼¿ï |
1999 | THE, ÅäÅ» ¹Ì¼ú°ü, ¾çÁÖ |
1998 | The Navel of Sea, 21st Century °¶·¯¸®, ¼¿ï |
1997 | The Garden of Narcissus, ´ö¿ø °¶·¯¸®, ¼¿ï |
±×·ìÀü | |
2019 | Çѱ¹È, ½Å¿Í¿ì±â. ´ëÀü½Ã¸³¹Ì¼ú°ü, ´ëÀü, Çѱ¹ |
DMZ, ¹®È¿ª¼¿ï284. ¼¿ï, Çѱ¹ | |
4.3¹Ì¼úÁ¦ °æ¾ß WAKE, À̾ư¶·¯¸®. Á¦ÁÖµµ, Çѱ¹ | |
2018 | °æ±â ¾ÆÄ«À̺ê _ Áö±Ý, °æ±â¹Ì¼ú°ü, ¾È»ê, Çѱ¹ |
°æÁÖ±¹Á¦·¹Á¦´ø½Ã ¾ÆÆ®Æ佺Ʈ 2018, Ȳ·æ»ç¿ª»ç¹Ú¹°°ü, °æÁÖ, Çѱ¹ | |
Æ÷Ç×½ºÆ¿¾ÆÆ®Æ佺Ƽ¹ß, Æ÷Ç× ¿µÀÏ´ëÇؼö¿åÀå, Æ÷Ç×, Çѱ¹ | |
½Ã¼±ÀǺ®, ¾ÆÆ®µð¶óÀÌÆ® °¶·¯¸® ,¼¿ï, Çѱ¹ | |
Çѱ¹ÀÇ ¼¼°Å¿ï, Museo Nacional de las Culturay del Mundo, ¸ß½ÃÄÚ | |
The Third Print È£¸ð¾ÆÄ«ºñ½º ,µµÀ×¾ÆÆ®°¶·¯¸®, ¼¿ï, | |
Á¦ÁÖ 4,3 ÀÌÁ¨ ¿ì¸®ÀÇ ¿ª»ç, ´ëÇѹα¹¿ª»ç¹Ú¹°°ü, ¼¿ï, | |
Bloming at the Junction, È«Äá Çѱ¹¹®È¿ø °³°ü ±â³äÀü, È«Äá | |
2017 | À¯¿£»ç¸·¹æÁöÇù¾à, Áö±¸»ì¸®±â ±×¸°ÄÚ¾îÀü, ³»¸ù°í ¿ì¿ùµÖ¾² ±¹Á¦ÄÁº¥¼Ç¼¾ÅÍ,Áß±¹ |
ÄÚ¸®¾Æ Åõ¸¶·Î¿ì2017, Çؼ®µÈ dz°æ, ¼º°î ¹Ì¼ú°ü,¼¿ï | |
Neo - Naturalism, ÀÏ¿ì ½ºÆäÀ̽º, ¼¿ï | |
dz°æÀ» º¸´Â ¿©¼¸°¡Áö ½Ã¼± ,¹«¾È±º ¿À½Â¿ì ¹Ì¼ú°ü ,¹«¾È | |
2016 | È¥Ç÷ÇÏ´Â Áö±¸, ´ÙÁßÁö¼ºÀÇ °øÀå, ºÎ»ê ºñ¿£³¯·¹, ºÎ»ê |
Old & New: °£¼ÛÀ» ±â¸®¸ç, DDP °£¼Û¹Ì¼ú°ü, ¼¿ï | |
Black, White, Red, ¾ÆÆ®½ºÆäÀ̽º º¥, ¼¿ï | |
Please Return to Busan Port, Vestfossen Museum, º£½ºÆ®Æ÷¼¾, ³ë¸£¿þÀÌ | |
April the Eternal Voyage, °æ±âµµ ¹Ì¼ú°ü, ¾È»ê | |
EAST BRIDGE 2016 - Plastic Garden, ÅäÅ» ¹Ì¼ú°ü, ¼¿ï | |
Contemporary Sansuhwa, Pearl Lam °¶·¯¸®, È«Äá | |
2015 | EAST BRIDGE 2016 - Plastic Garden, Force °¶·¯¸®, º£ÀÌ¡ 798, Áß±¹ |
Have a Good day, Mr, Kim, Choi & Lager °¶·¯¸®, Ä븥, µ¶ÀÏ | |
L'exposition de " Seoul 'Vite Vite' a Tripostal, Commissaire, ¸±, ÇÁ¶û½º | |
2014 | Korea Tomorrow, µ¿´ë¹® µðÀÚÀÎ ÇöóÀÚ, ¼¿ï |
The Moment, We Awe, Sanshang Contemporary Art Museum, Ç×Àú¿ì, Áß±¹ | |
Sweet Dew- since 1980, ±¤ÁÖ ºñ¿£³¯·¹, ±¤ÁÖ | |
Neo-Sansu, ´ë±¸ ¹Ì¼ú°ü, ´ë±¸ | |
2013 | Pulse of Sight, ÇаíÀç »óÇÏÀÌ, »óÇÏÀÌ, Áß±¹ |
Real Landscape of the day, °âÀç Á¤¼± ¹Ì¼ú°ü, ¼¿ï | |
The Moment, We Awe, HOW Art Museum, ¿øÀú¿ì, Áß±¹ | |
2012 | (Im)Possible Landscape, ÇöóÅä ¹Ì¼ú°ü, ¼¿ï |
Cynical Resistance, Canvas International Art, ¾Ï½ºÅ׸£´ã, ³×´ú¶õµå | |
One must imagine Sisyphus happy, House of the Nobleman, ·±´ø, ¿µ±¹ | |
Prelude, Space Cottonseed, ½Ì°¡Æú | |
2011 | ù¨ä²ÔÒìé: We are who you are, °¶·¯¸® ÁöÁöÇâ, ÆÄÁÖ |
Sea of Peace, ÀÎõ ¾ÆÆ®Ç÷§Æû, ÀÎõ | |
The Future Pass, ILLUMInations º£´Ï½º ºñ¿£³¯·¹ ±¹Á¦Àü, º£´Ï½º, ÀÌÅ»¸®¾Æ | |
Bad Exhibition, PIN °¶·¯¸®, º£ÀÌ¡, Áß±¹ | |
2010-11 | Korean Art Issue 2010: Art of National Division - The Flower on the Snow, ´ëÀü¹Ì¼ú°ü, ´ëÀü |
2010 | Plastic Garden, Minsheng Art Museum, »óÇÏÀÌ, Áß±¹ |
The Accursed Share, Gallery Artside, º£ÀÌ¡, Áß±¹ | |
New Organ, Space* C, ¼¿ï | |
A Different Similarity, Museum Bochum, º¸ÈÉ, µ¶ÀÏ | |
Here and There - The World in Motion 2010, LuXun Academy of Fine Art, º£ÀÌ¡, ¼±¾ç, Áß±¹ / ¼¿ï, ºÎ»ê | |
2009 | Trans Real-My Hometown, Asia House, ·±´ø, ¿µ±¹ |
City net Asia 2009, ¼¿ï ½Ã¸³ ¹Ì¼ú°ü, ¼¿ï | |
After Gogo: New Era of Korean Art, 2009 Ljubljana Graphic ºñ¿£³¯·¹, ·ùºí·ª³ª, | |
½½·Îº£´Ï¾Æ / Cankarjev Dom °¶·¯¸®, ·ùºí·ª³ª, ½½·Îº£´Ï¾Æ | |
A Different Similarity, Santralistanbul Museum, À̽ºÅººÒ, ÅÍÅ° | |
Korea on the Rocks, Art Seasons °¶·¯¸®, Ã븮È÷, ½ºÀ§½º | |
2008 | Reshaping the Landscape, Neuberger Museum of Art, ´º¿å, ¹Ì±¹ |
My Name is Red, FURINI Arts Contemporanea, ¾Æ·¹ÃÊ, ÀÌÅ»¸®¾Æ | |
4482: Àç·±´ø ÇÑÀÎ Çö´ë¹Ì¼úÀÎȸ, Bargehouse OXO Tower Wharf, ·±´ø, ¿µ±¹ | |
Asian Art in London, Of Origin and Future, I - MYU Projects, ·±´ø, ¿µ±¹ | |
Landslide, I - MYU Project, ¿µ±¹, ·±´ø | |
2007 | Sense of Moment, Cais °¶·¯¸®, È«Äá |
4482: Àç·±´ø ÇÑÀÎ Çö´ë¹Ì¼úÀÎȸ, King¡¯s park Studio, ·±´ø, ¿µ±¹ | |
Late at Tate Britain, Fold07 performance, Tate Britain, ·±´ø, ¿µ±¹ | |
The Catlin Art Prize 2007, My Life in Art °¶·¯¸®, ·±´ø, ¿µ±¹ | |
Salon Nouveau, Engholm Engelhorn °¶·¯¸®, ºó, ¿À½ºÆ®¸®¾Æ | |
2006 | Susak Expo, ¼ö»è ¾ÆÀÏ·£µå, Å©·Î¾ÆƼ¾Æ |
Still Dynamics, Jerwood Space, ¿µ±¹, ·±´ø | |
2003 | Difference of Time, ³ë¾Ï °¶·¯¸®, ¼¿ï |
2001 | Humidity, °üÈÆ °¶·¯¸®, ¼¿ï |
Origin, ¼¼Á¾ ¹®Èȸ°ü, ¼¿ï | |
1999 | ÇÑ-¿À½ºÆ®¸®¾Æ ±³·ùÀü, ´Ü¼º °¶·¯¸®, ¼¿ï |
Origin, ° °¶·¯¸®, ¼¿ï | |
Cord-New Image, È«ÀÍ´ëÇб³ Çö´ë¹Ì¼ú°ü, ¼¿ï | |
1998 | Millennium, °¶·¯¸® Çö´ë, ¼¿ï |
1997 | FROG, ´ö¿ø °¶·¯¸®, ¼¿ï |
ASIAN WIND NOW ¡®97, Museum of Funabashi, Èijª¹Ù½Ã, ÀϺ» | |
1994 | ÇÑ-ÀÏ Çö´ë¹Ì¼ú ±³·ùÀü, Arts Hall, Seoul |
Turning Point of Concept Toward 2000, ¿¹¼úÀÇ Àü´ç, ¼¿ï | |
Subconscious of 20 People, û³² ¾ÆÆ® °¶·¯¸®, ¼¿ï | |
Self Portrait ? A Net of Time, Arts Hall, ¼¿ï | |
1993 | Young Views, ¹Ì°Ç °¶·¯¸®, ¼¿ï |
Self Search of Correspondent, Beakah Museum, Daegu, Korea | |
1993-96 | The 4-8 Walking People, ´ö¿ø °¶·¯¸®, û³² °¶·¯¸®, ±ÇÈÆ °¶·¯¸®, ¼¿ï |
1992 | KEY, °¶·¯¸® Àε¥ÄÚ, ¼¿ï |
New Generation Painting¡¯s Cross-Section, °æÀÎ °¶·¯¸®, ¼¿ï | |
1989 | SYNDROME, ÅäÅ» ¹Ì¼ú°ü, ¼¿ï |
New Artists, ±¹¸³°í±Ã¹Ì¼ú°ü, ¼¿ï | |
Space Experience Through Painterly | |
From Human, Matter, and Existence, ±ÇÈÆ °¶·¯¸®, ¼¿ï | |
'89 - Direction, µµ¿ù °¶·¯¸®, ¼¿ï | |
1988 | The 7th Korea Art Fair, ±¹¸³Çö´ë¹Ì¼ú°ü, °úõ |
The 11th Central Art Fair, È£¾Ï ¾ÆƮȦ, ¼¿ï | |
1986 | The 9th Central Art Fair, ±¹¸³Çö´ë¹Ì¼ú°ü, °úõ |
ÁÖ¿ä ¼ÒÀåó | |
ÆĶó´ÙÀ̽º ½ÃƼ. ÀÎõ, Çѱ¹ | |
ÇÑÇÏ ¸®Á¶Æ®, °ÅÁ¦, Çѱ¹ | |
All Visual Arts, ·±´ø, ¿µ±¹ | |
Bank of America, ¹Ì±¹ | |
Berger Ä÷º¼Ç, Ã븮È÷, ½ºÀ§½º | |
Coralie Etroy Ä÷º¼Ç, ·±´ø, ¿µ±¹ | |
James Li Ä÷º¼Ç, Beijing | |
Lorraine Barrick Ä÷º¼Ç, ½Ã¾ÖƲ, ¹Ì±¹ | |
Fidelity Investment, º¸½ºÅæ, ¹Ì±¹ | |
ÇϳªÀºÇà, ¼¿ï | |
¸¶ÀÌÅ©·Î¼ÒÇÁÆ® ¾ÆÆ® Ä÷º¼Ç, ¹Ì±¹ | |
Uil Sigg Ä÷º¼Ç, Ã븮È÷, ½ºÀ§½º | |
¸®¿ò ¹Ì¼ú°ü, ¼¿ï | |
±¹¸³Çö´ë¹Ì¼ú°ü, ¼¿ï | |
¹Î»ý¹Ì¼ú°ü, »óÇÏÀÌ, Áß±¹ | |
ÅäÅ»¹Ì¼ú°ü, ¼¿ï | |
±¹¸³Çö´ë¹Ì¼ú°ü ¹Ì¼úÀºÇà, ¼¿ï | |
HOW Art Museum, »óÇÏÀÌ, Áß±¹ |