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BILL THOMPSON
1957 Born in Ipswich, Massachusetts USA
SOLO EXHIBITIONS
2011 The Columns Gallery, Seoul, Korea
2010 Conny Dietzschold Gallery, Sydney, Australia
0000 Galería Miguel Marcos, Barcelona, Spain
2009 Margaret Thatcher Projects, New York, NY
0000 Galerie Renate Bender, Munich, Germany
0000 Ana Serratosa-Arte, Valencia, Spain
2008 The White Gallery, Seoul, Korea
2007 Barbara Krakow Gallery, Boston, MA
2006 The Columns Gallery, Seoul, Korea
2005 Seomi & Tuus, Seoul, Korea
2004 Star Tower Gallery, Seoul, Korea
2003 Barbara Krakow Gallery, Boston, MA
2002 Star Tower Gallery, Seoul, Korea
2001 The Butler Institute of American Art, Youngstown, OH
2000 Space Kitchen, Seoul, Korea
1999 Barbara Krakow Gallery, Boston, MA
1998 Institute of Contemporary Art at MECA, Portland, ME
0000 Richard Levy Gallery, Albuquerque, NM
1996 In Khan Gallery, New York, NY
0000 Alpha Gallery, Boston, MA
0000 Richard Levy Gallery, Albuquerque, NM
0000 Center Street Studio, Boston, MA
1995 The Butler Institute of American Art, Salem, OH
0000 Alpha Gallery, Boston, MA
1994 Morie Club, Hamamatsu City, Japan
1993 Galerie Mourlot, Boston, MA
0000 The Butler Institute of American Art, Youngstown, OH
1992 Nielsen Gallery, Boston, MA
1991 Nielsen Gallery, Boston, MA
1990 Frick Gallery, Belfast, ME
0000 Nielsen Gallery, Boston, MA
SELECTED GROUP EXHIBITIONS
2011 Kunststoff Skulptur, Kreissparkasse, Rottweil, Germany
0000 Sculptural Forms, Glasshouse Regional Gallery, Port Macquarie, Australia
0000 Morphologies, Barbara Krakow Gallery, Boston, MA
0000 Conny Dietzschold Gallery, Art Stage Singapore
2010 Art Now, The Columns, Seoul, Korea
0000 Monochrome 1, Galerie Renate Bender, Munich, Germany
0000 Conny Dietzschold Gallery, Art Hong Kong
0000 Contemporary American Woodcut Prints, Art Bank Gallery, Washington, DC
0000 Galeria Miguel Marcos, ARCO Madrid, Spain
2009 Kaleidoscope, Galerie Kashya Hildebrand, Zurich, Switzerland
0000 Minimal Variety Forms, Conny Dietzschold Gallery, Sydney, Australia
0000 Galerie Kashya Hildebrand, Art Dubai/Art Hong Kong
0000 Galeria Miguel Marcos, ARCO Madrid, Spain
2008 Una Mirada, Galeria Miguel Marcos, Barcelona, Spain
0000 The Fascination with the Colour Red, Galerie Renate Bender, Munich, Germany
0000 Galeria Cadaqués Dos, Cadaques, Spain
0000 The Columns, Art Cologne, Cologne, Germany
0000 Flow, Centre Cultural Andratx, Mallorca, Spain
2007 Polished & Pressed, Bill Thompson/Peter Weber, Thatcher Projects, NY
0000 The Columns, Art Cologne/Palma de Mallorca, Mallorca, Spain
0000 Temptation, The Columns, Seoul, Korea
2006 The Scent of Korea, Daegu, Korea
0000 Painterly Sculpture, The Columns, Seoul, Korea
2005 Today’s Voice, Neuhoff Gallery, New York, NY
0000 Resurfaced, Boston University Art Gallery, Boston, MA
0000 Gleam & Glory, Renate Schröder Galerie, Mönchengladbach, Germany
0000 Thirty Ways to Make a Painting, Carl Solway Gallery, Cincinnati, OH
0000 New Paintings, Chac Mool Gallery, West Hollywood, CA
2004 Paine, Thompson, Werner, The Salt Queen Foundation, Southampton, NY
2003 Unisono, Renate Schröder Galerie, Cologne, Germany
0000 Visions and Revisions, Museum of Fine Arts, Boston, MA
0000 Road Trip, Margaret Thatcher Projects, New York, NY
0000 Boston Abstraction Now, OSP Gallery, Boston, MA
2002 Painting in Boston: 1950-2000, DeCordova Museum, Lincoln, MA
2002 Edge, Margaret Thatcher Projects, New York, NY
2001 Estrada-Vega, Pastine, Thompson, Margaret Thatcher Projects, New York, NY
2000 Painting Pushed to Extremes, Worcester Art Museum, Worcester, MA
0000 Color, Virginia Lynch Gallery, Tiverton, RI
0000 Rapture, Massachusetts College of Art, Boston, MA
1999 Planes of Color, Greg Kucera Gallery, Seattle, WA
0000 Paintings, Virginia Lynch Gallery, Tiverton, RI
0000 Retinal Fetish, The Gallery @ Green Street, Jamaica Plain, MA
0000 A Quiet Revolution, Rose Art Museum, Brandeis University, Waltham, MA
1998 Summer Show, Debs & Co., New York, NY
0000 Invitational, Wenham Museum, Wenham, MA
1997 The Drawing Show, Mills Gallery, Boston, MA
0000 Synergy, Robert Clements Gallery, Portland, ME
0000 Blue, In Khan Gallery, New York, NY
0000 Geometry and Flow, Gallery Seomi, Seoul, Korea
1996 In Black & White, Numark Gallery, Washington, DC
1995 The Drawing Show, Mills Gallery, Boston, MA
0000 Single Fire, Bernard Toale Gallery, Boston, MA
1994 Large Scale Paintings, Mills Gallery, Boston, MA
1993 Hankyu Ltd. Presents L’Atelier Mourlot, Hankyu Gallery (Ginza), Tokyo, Japan
1992 5th Year Anniversary Invitational, Nielsen Gallery, Boston, MA
1991 Homage to Wood, Art Complex Museum, Duxbury, MA
0000 Ten Years of Boston Art, Nielsen Gallery, Boston, MA
0000 Collection Notes, Rose Art Museum, Brandeis University, Waltham, MA
0000 Black and White, Nina Freudenheim Gallery, Buffalo, NY
1989 Artist’s Choice, Newton Arts Center, Newton, MA
1987 The Drawing Show, Mills Gallery, Boston, MA
Collections
Addison Gallery of American Art, Phillips Academy, Andover, MA
Art Bank Program, US Department of State, Washington, DC
Art Enterprises, Chicago, IL
Au Bon Pain Corporation, Boston, MA
BankBoston, Boston, MA
Bernkoff, Goodman & Baseman, Boston, MA
Brobeck, Phleger & Harrison LLP, Washington, DC
Brown, Rudnick, Freed, & Gesmer, Boston, MA
Butler Institute of American Art, Youngstown, OH
Cooperative Bankcorp of Concord, Concord, MA
Davis Museum, Wellesley College, Wellesley, MA
DeCordova Museum, Lincoln, MA
Fidelity Management and Research Company, Boston, MA
Fogg Art Museum, Harvard University, Cambridge, MA
Hyundai Corp., Seoul, Korea
Intercontinental, Boston, MA
List Visual Art Center, M.I.T., Cambridge, MA
Marsh Art Gallery, University of Richmond, Richmond, VA
Microsoft Corporation, Redmond, WA
Millennium Partners, Boston, MA
Mintz Levin Cohn Ferris Glovsky and Popeo, Boston, MA
Museum of Fine Arts, Boston, MA
Neiman Marcus, Natick, MA
New York Public Library, New York, NY
Nine Zero Hotel, Boston, MA
PerkinElmer, Inc, Waltham, MA
Quad/Graphics, West Allis, WI
Rose Art Museum, Brandeis University, Waltham, MA
Rudnick & Wolfe, Chicago, IL
SandRidge Energy, Inc, Oklahoma City, OK
Song-Eun Art and Cultural Foundation, Seoul, Korea
Taylor-Winfield Corp., Brookfield, OH
Wellington Management Company, Boston, MA and London, GB
Education
1975-77 Painting and sculpture
0000000 Carnegie-Mellon University, Pittsburgh, PA
1965-75 Painting and sculpture
0000000 Private study, Sister Vincent de Paul, Art Director, Emmanuel College,
0000000 Boston, MA
Awards
2009 Finalist for the Pilar Juncosa & Sotheby’s Award, Joan Miró Foundation, Palma de Mallorca, Spain
2003 Mid-career Artist Award, International Association of Art Critics, NE Chapter
1999-2008 Studio Residency, Loft Nota Bene, Cadaqués, Spain
1996 New England Foundation for the Arts/NEA Regional Fellowship
1975 A. K. Oliver Scholarship Grant National Scholastic Art Awards (NSAA)
0000 NSAA Scholarship to Carnegie-Mellon University Pittsburgh, PA
1974-75 Hallmark Honor Prize for Massachusetts
1973-75 NSAA Gold Medal
Selected Bibliography
Brody, Jacqueline; “Prints Published.” The Print Collector’s Newsletter, July/August, 1994.
Martinez Clara, Jesus; “Duende y Fulgor.” La Vanguardia, 12 May 2010
Clemmer, David. “Bill Thompson: Prints & Paintings.” THE Magazine, May 1996.
Florez, Fernando Castro. “Aunque algunos piensan…” Ana Serratosa-Arte, May 2009
Frost, Andrew. “A Couple of Peas in a Pod.” Sydney Morning Herald, October 2010
Heartney, Eleanor. “Bill Thompson at In Khan.” Art in America, April 1997.
Hoving, Thomas. “Art for the Ages.” Cigar Aficionado, summer 1995.
Hrbacek, Mary. “Weber and Thompson at Margaret Thatcher Projects.” NY Arts Magazine, Jan-Feb 2008
Joe, Yonghee. “A Monochromatic World of Vivid Color.” International Herald Tribune, January 3, 2001
Kim, Mi-hee. “Altered Flats and Nodes.” The Korea Herald, January 1, 2001
Lloyd, Ann Wilson. “Bill Thompson at Barbara Krakow.” Art in America, March 2004
“Natural Beauties.” Art.es, Spring 2009
Marxen, Patti M. “Three Artists, Three Moods on Display at Frick Gallery.” Camden Herald, July 5, 1990.
Miller, Francine Koslow “Bill Thompson: Minimalist Prints With Attitude.” The Print Collector’s Newsletter, March/April 1996.
Narrett, Eugene. “Bill Thompson: Dimensional Paintings.” Art New England, May 22, 1990.
Parks, Addison. “A Sense of Humor.” catalog essay, Nielsen Gallery and Butler Institute of American Art, December 1992.
“Paintings That Are All Muscles and Armor.” Christian Science Monitor, June 20, 1991.
Perrott, Jeffrey. ”Bill Thompson’s Edge.“ Stuff Magazine, October 1996
Protzman, T. Ferdinand. “Minimalists with Maximum Skill.” The Washington Post, June 8, 1996.
Pulkka, Wesley. “Glossy Works Reflect Sweat Equity.” The Albuquerque Journal, September 20, 1998.
“Artist Cuts Distracting Noise.” The Albuquerque Journal, March 17, 1996.
Sherman, Mary. “Painters Maximize Minimal Work.” Boston Sunday Herald, July 31, 1994.
“New Works Show Painter’s Sense of Balance.” Boston Sunday Herald, April 28, 1991.
Silver, Joanne. “Bill Thompson Transforms His Paintings.” Boston Herald, February 2, 1990.
Sontowski, Anke. “Art That Reflects a Speedy City.” The Korea Times, November 10, 2002
Stapen, Nancy. “Bill Thompson.” ArtNews, April, 1993.
“Minimalism Gets a Sense of Humor.” The Boston Globe, December 17, 1992.
Tarlow, Lois. “Profile: Bill Thompson.” Art New England, April, 1993.
Temin, Christine. “David, Stroud, Thompson: Pushing the Minimum to the Maximum.” The Boston Globe, July 27, 1994.
“No Illusions: The Art of Donald Judd.” The Boston Globe, January 18, 1990.
Yoon, Donghee. “Bill Thompson.” The Art Magazine, February 2001
“Working Proof.” On Paper, Volume I, #1, #5; Volume 2, #1.
Zevitas, Steven T., “New American Paintings,” The Open Studios Press, Summer 1996.
_ _ _ “New American Paintings,” Spring 2003
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