Past Exhibition
| 1967 | °ÅÁ¦µµ Ãâ»ý |
| 1989 | È«ÀÍ´ëÇб³ Çлç |
| 2001 | È«ÀÍ´ëÇб³ ¼®»ç |
| 2006 | ·±´ø, ÿ½Ã Ä®¸®Áö ¼®»ç |
| °³ÀÎÀü | |
| 2020 | Red Sansu-Between, The Columns °¶·¯¸®, Gillman Barracks, ½Ì°¡Æú |
| 2019 | Red Sansu-Between, ´õ Ä÷³½º °¶·¯¸®, ¼¿ï, Çѱ¹ |
| ' Between Red ' ÄコƮ Ȧ , º£¸£°Õ, ³ë¸£¿þÀÌ | |
| Red Sansu, °¶·¯¸® ºÐµµ, ´ë±¸, Çѱ¹ | |
| Red Sansu, ±³µ¿¹Ì¼ú°ü, ÀüÁÖ, Çѱ¹ | |
| 2018 | Red Sansu : The Moments, ½Å¼¼°è °¶·¯¸® ¼¾ÅÒ½ÃÆ¼ , ºÎ»ê, Çѱ¹ |
| 2015 | Red- Silly Dream, ¹Ì¸Þ½Ã½º ¾ÆÆ® ¹ÂÁö¾ö, ÆÄÁÖ |
| 2014 | Between Red, VOUS ETES ICI °¶·¯¸®, ¾Ï½ºÅ׸£´ã, ³×´ú¶õµå |
| 2012 | Plastic Garden, ÇаíÀç °¶·¯¸®, ¼¿ï |
| 2011 | Between Red, Nicholas Robinson °¶·¯¸®, ´º¿å, ¹Ì±¹ |
| 2009 | Between Red, Zonca & Zonca °¶·¯¸®, ¹Ð¶ó³ë, ÀÌÅ»¸®¾Æ |
| Between Red, Harewood House, ¸®Áî, ¿µ±¹ | |
| Between Red, ASPEX Contemporary Art Gallery, Æ÷Ã÷¸Ó½º, ¿µ±¹ | |
| Between Red, Union °¶·¯¸®, ·±´ø, ¿µ±¹ | |
| Between Red, One and J °¶·¯¸®, ¼¿ï | |
| 2007 | Between Red, MIKI WICK KIM Contemporary Art, Ã븮È÷, ½ºÀ§½º |
| 2001 | Daily, È«ÀÍ´ëÇб³ Çö´ë¹Ì¼ú°ü, ¼¿ï |
| 1999 | THE, ÅäÅ» ¹Ì¼ú°ü, ¾çÁÖ |
| 1998 | The Navel of Sea, 21st Century °¶·¯¸®, ¼¿ï |
| 1997 | The Garden of Narcissus, ´ö¿ø °¶·¯¸®, ¼¿ï |
| ±×·ìÀü | |
| 2019 | Çѱ¹È, ½Å¿Í¿ì±â. ´ëÀü½Ã¸³¹Ì¼ú°ü, ´ëÀü, Çѱ¹ |
| DMZ, ¹®È¿ª¼¿ï284. ¼¿ï, Çѱ¹ | |
| 4.3¹Ì¼úÁ¦ °æ¾ß WAKE, À̾ư¶·¯¸®. Á¦ÁÖµµ, Çѱ¹ | |
| 2018 | °æ±â ¾ÆÄ«À̺ê _ Áö±Ý, °æ±â¹Ì¼ú°ü, ¾È»ê, Çѱ¹ |
| °æÁÖ±¹Á¦·¹Á¦´ø½Ã ¾ÆÆ®Æä½ºÆ® 2018, Ȳ·æ»ç¿ª»ç¹Ú¹°°ü, °æÁÖ, Çѱ¹ | |
| Æ÷Ç×½ºÆ¿¾ÆÆ®Æä½ºÆ¼¹ß, Æ÷Ç× ¿µÀÏ´ëÇØ¼ö¿åÀå, Æ÷Ç×, Çѱ¹ | |
| ½Ã¼±ÀǺ®, ¾ÆÆ®µð¶óÀÌÆ® °¶·¯¸® ,¼¿ï, Çѱ¹ | |
| Çѱ¹ÀÇ ¼¼°Å¿ï, Museo Nacional de las Culturay del Mundo, ¸ß½ÃÄÚ | |
| The Third Print È£¸ð¾ÆÄ«ºñ½º ,µµÀ×¾ÆÆ®°¶·¯¸®, ¼¿ï, | |
| Á¦ÁÖ 4,3 ÀÌÁ¨ ¿ì¸®ÀÇ ¿ª»ç, ´ëÇѹα¹¿ª»ç¹Ú¹°°ü, ¼¿ï, | |
| Bloming at the Junction, È«Äá Çѱ¹¹®È¿ø °³°ü ±â³äÀü, È«Äá | |
| 2017 | À¯¿£»ç¸·¹æÁöÇù¾à, Áö±¸»ì¸®±â ±×¸°ÄÚ¾îÀü, ³»¸ù°í ¿ì¿ùµÖ¾² ±¹Á¦ÄÁº¥¼Ç¼¾ÅÍ,Áß±¹ |
| ÄÚ¸®¾Æ Åõ¸¶·Î¿ì2017, ÇØ¼®µÈ dz°æ, ¼º°î ¹Ì¼ú°ü,¼¿ï | |
| Neo - Naturalism, ÀÏ¿ì ½ºÆäÀ̽º, ¼¿ï | |
| dz°æÀ» º¸´Â ¿©¼¸°¡Áö ½Ã¼± ,¹«¾È±º ¿À½Â¿ì ¹Ì¼ú°ü ,¹«¾È | |
| 2016 | È¥Ç÷ÇÏ´Â Áö±¸, ´ÙÁßÁö¼ºÀÇ °øÀå, ºÎ»ê ºñ¿£³¯·¹, ºÎ»ê |
| Old & New: °£¼ÛÀ» ±â¸®¸ç, DDP °£¼Û¹Ì¼ú°ü, ¼¿ï | |
| Black, White, Red, ¾ÆÆ®½ºÆäÀ̽º º¥, ¼¿ï | |
| Please Return to Busan Port, Vestfossen Museum, º£½ºÆ®Æ÷¼¾, ³ë¸£¿þÀÌ | |
| April the Eternal Voyage, °æ±âµµ ¹Ì¼ú°ü, ¾È»ê | |
| EAST BRIDGE 2016 - Plastic Garden, ÅäÅ» ¹Ì¼ú°ü, ¼¿ï | |
| Contemporary Sansuhwa, Pearl Lam °¶·¯¸®, È«Äá | |
| 2015 | EAST BRIDGE 2016 - Plastic Garden, Force °¶·¯¸®, º£ÀÌ¡ 798, Áß±¹ |
| Have a Good day, Mr, Kim, Choi & Lager °¶·¯¸®, Ä븥, µ¶ÀÏ | |
| L'exposition de " Seoul 'Vite Vite' a Tripostal, Commissaire, ¸±, ÇÁ¶û½º | |
| 2014 | Korea Tomorrow, µ¿´ë¹® µðÀÚÀÎ ÇöóÀÚ, ¼¿ï |
| The Moment, We Awe, Sanshang Contemporary Art Museum, Ç×Àú¿ì, Áß±¹ | |
| Sweet Dew- since 1980, ±¤ÁÖ ºñ¿£³¯·¹, ±¤ÁÖ | |
| Neo-Sansu, ´ë±¸ ¹Ì¼ú°ü, ´ë±¸ | |
| 2013 | Pulse of Sight, ÇаíÀç »óÇÏÀÌ, »óÇÏÀÌ, Áß±¹ |
| Real Landscape of the day, °âÀç Á¤¼± ¹Ì¼ú°ü, ¼¿ï | |
| The Moment, We Awe, HOW Art Museum, ¿øÀú¿ì, Áß±¹ | |
| 2012 | (Im)Possible Landscape, ÇöóÅä ¹Ì¼ú°ü, ¼¿ï |
| Cynical Resistance, Canvas International Art, ¾Ï½ºÅ׸£´ã, ³×´ú¶õµå | |
| One must imagine Sisyphus happy, House of the Nobleman, ·±´ø, ¿µ±¹ | |
| Prelude, Space Cottonseed, ½Ì°¡Æú | |
| 2011 | ù¨ä²ÔÒìé: We are who you are, °¶·¯¸® ÁöÁöÇâ, ÆÄÁÖ |
| Sea of Peace, ÀÎõ ¾ÆÆ®Ç÷§Æû, ÀÎõ | |
| The Future Pass, ILLUMInations º£´Ï½º ºñ¿£³¯·¹ ±¹Á¦Àü, º£´Ï½º, ÀÌÅ»¸®¾Æ | |
| Bad Exhibition, PIN °¶·¯¸®, º£ÀÌ¡, Áß±¹ | |
| 2010-11 | Korean Art Issue 2010: Art of National Division - The Flower on the Snow, ´ëÀü¹Ì¼ú°ü, ´ëÀü |
| 2010 | Plastic Garden, Minsheng Art Museum, »óÇÏÀÌ, Áß±¹ |
| The Accursed Share, Gallery Artside, º£ÀÌ¡, Áß±¹ | |
| New Organ, Space* C, ¼¿ï | |
| A Different Similarity, Museum Bochum, º¸ÈÉ, µ¶ÀÏ | |
| Here and There - The World in Motion 2010, LuXun Academy of Fine Art, º£ÀÌ¡, ¼±¾ç, Áß±¹ / ¼¿ï, ºÎ»ê | |
| 2009 | Trans Real-My Hometown, Asia House, ·±´ø, ¿µ±¹ |
| City net Asia 2009, ¼¿ï ½Ã¸³ ¹Ì¼ú°ü, ¼¿ï | |
| After Gogo: New Era of Korean Art, 2009 Ljubljana Graphic ºñ¿£³¯·¹, ·ùºí·ª³ª, | |
| ½½·Îº£´Ï¾Æ / Cankarjev Dom °¶·¯¸®, ·ùºí·ª³ª, ½½·Îº£´Ï¾Æ | |
| A Different Similarity, Santralistanbul Museum, À̽ºÅººÒ, ÅÍŰ | |
| Korea on the Rocks, Art Seasons °¶·¯¸®, Ã븮È÷, ½ºÀ§½º | |
| 2008 | Reshaping the Landscape, Neuberger Museum of Art, ´º¿å, ¹Ì±¹ |
| My Name is Red, FURINI Arts Contemporanea, ¾Æ·¹ÃÊ, ÀÌÅ»¸®¾Æ | |
| 4482: Àç·±´ø ÇÑÀÎ Çö´ë¹Ì¼úÀÎȸ, Bargehouse OXO Tower Wharf, ·±´ø, ¿µ±¹ | |
| Asian Art in London, Of Origin and Future, I - MYU Projects, ·±´ø, ¿µ±¹ | |
| Landslide, I - MYU Project, ¿µ±¹, ·±´ø | |
| 2007 | Sense of Moment, Cais °¶·¯¸®, È«Äá |
| 4482: Àç·±´ø ÇÑÀÎ Çö´ë¹Ì¼úÀÎȸ, King¡¯s park Studio, ·±´ø, ¿µ±¹ | |
| Late at Tate Britain, Fold07 performance, Tate Britain, ·±´ø, ¿µ±¹ | |
| The Catlin Art Prize 2007, My Life in Art °¶·¯¸®, ·±´ø, ¿µ±¹ | |
| Salon Nouveau, Engholm Engelhorn °¶·¯¸®, ºó, ¿À½ºÆ®¸®¾Æ | |
| 2006 | Susak Expo, ¼ö»è ¾ÆÀÏ·£µå, Å©·Î¾ÆÆ¼¾Æ |
| Still Dynamics, Jerwood Space, ¿µ±¹, ·±´ø | |
| 2003 | Difference of Time, ³ë¾Ï °¶·¯¸®, ¼¿ï |
| 2001 | Humidity, °üÈÆ °¶·¯¸®, ¼¿ï |
| Origin, ¼¼Á¾ ¹®Èȸ°ü, ¼¿ï | |
| 1999 | ÇÑ-¿À½ºÆ®¸®¾Æ ±³·ùÀü, ´Ü¼º °¶·¯¸®, ¼¿ï |
| Origin, ° °¶·¯¸®, ¼¿ï | |
| Cord-New Image, È«ÀÍ´ëÇб³ Çö´ë¹Ì¼ú°ü, ¼¿ï | |
| 1998 | Millennium, °¶·¯¸® Çö´ë, ¼¿ï |
| 1997 | FROG, ´ö¿ø °¶·¯¸®, ¼¿ï |
| ASIAN WIND NOW ¡®97, Museum of Funabashi, Èijª¹Ù½Ã, ÀϺ» | |
| 1994 | ÇÑ-ÀÏ Çö´ë¹Ì¼ú ±³·ùÀü, Arts Hall, Seoul |
| Turning Point of Concept Toward 2000, ¿¹¼úÀÇ Àü´ç, ¼¿ï | |
| Subconscious of 20 People, û³² ¾ÆÆ® °¶·¯¸®, ¼¿ï | |
| Self Portrait ? A Net of Time, Arts Hall, ¼¿ï | |
| 1993 | Young Views, ¹Ì°Ç °¶·¯¸®, ¼¿ï |
| Self Search of Correspondent, Beakah Museum, Daegu, Korea | |
| 1993-96 | The 4-8 Walking People, ´ö¿ø °¶·¯¸®, û³² °¶·¯¸®, ±ÇÈÆ °¶·¯¸®, ¼¿ï |
| 1992 | KEY, °¶·¯¸® Àε¥ÄÚ, ¼¿ï |
| New Generation Painting¡¯s Cross-Section, °æÀÎ °¶·¯¸®, ¼¿ï | |
| 1989 | SYNDROME, ÅäÅ» ¹Ì¼ú°ü, ¼¿ï |
| New Artists, ±¹¸³°í±Ã¹Ì¼ú°ü, ¼¿ï | |
| Space Experience Through Painterly | |
| From Human, Matter, and Existence, ±ÇÈÆ °¶·¯¸®, ¼¿ï | |
| '89 - Direction, µµ¿ù °¶·¯¸®, ¼¿ï | |
| 1988 | The 7th Korea Art Fair, ±¹¸³Çö´ë¹Ì¼ú°ü, °úõ |
| The 11th Central Art Fair, È£¾Ï ¾ÆÆ®È¦, ¼¿ï | |
| 1986 | The 9th Central Art Fair, ±¹¸³Çö´ë¹Ì¼ú°ü, °úõ |
| ÁÖ¿ä ¼ÒÀåó | |
| ÆÄ¶ó´ÙÀ̽º ½ÃƼ. ÀÎõ, Çѱ¹ | |
| ÇÑÇÏ ¸®Á¶Æ®, °ÅÁ¦, Çѱ¹ | |
| All Visual Arts, ·±´ø, ¿µ±¹ | |
| Bank of America, ¹Ì±¹ | |
| Berger Ä÷º¼Ç, Ã븮È÷, ½ºÀ§½º | |
| Coralie Etroy Ä÷º¼Ç, ·±´ø, ¿µ±¹ | |
| James Li Ä÷º¼Ç, Beijing | |
| Lorraine Barrick Ä÷º¼Ç, ½Ã¾ÖƲ, ¹Ì±¹ | |
| Fidelity Investment, º¸½ºÅæ, ¹Ì±¹ | |
| ÇϳªÀºÇà, ¼¿ï | |
| ¸¶ÀÌÅ©·Î¼ÒÇÁÆ® ¾ÆÆ® Ä÷º¼Ç, ¹Ì±¹ | |
| Uil Sigg Ä÷º¼Ç, Ã븮È÷, ½ºÀ§½º | |
| ¸®¿ò ¹Ì¼ú°ü, ¼¿ï | |
| ±¹¸³Çö´ë¹Ì¼ú°ü, ¼¿ï | |
| ¹Î»ý¹Ì¼ú°ü, »óÇÏÀÌ, Áß±¹ | |
| ÅäÅ»¹Ì¼ú°ü, ¼¿ï | |
| ±¹¸³Çö´ë¹Ì¼ú°ü ¹Ì¼úÀºÇà, ¼¿ï | |
| HOW Art Museum, »óÇÏÀÌ, Áß±¹ | |