Past Exhibition
Àüº´»ï ÀÛ°¡ÀÇ ¼¼°è´Â Àͼ÷ÇÑ Æò¸éÀû Á¸À縦 ´Ù¾çÇÑ ¹æ½ÄÀ¸·Î º¯È¯ÇÑ´Ù´Â Á¡¿¡¼ Ưº°ÇÏ´Ù. ±âÁ¸ ¿ì¸® ÀÎ½Ä ¼Ó¿¡ ÀÚ¸®ÇÏ´ø Á¸Àç°¡ ¿ÏÀüÈ÷ ¼Ò¸êÇÑ °Íµµ, ¼Ò¸êÇÑ °Íµµ ¾Æ´Ñ Áß°£Àû »óÅ¿¡ óÇÏ°Ô À̲ö´Ù. °¨»óÀÇ ¸²º¸ ¾È¿¡ ºüÁø °ü¶÷°´Àº ¿¹¼úÀÛÇ°°ú ¿¹¼ú ÀÛÇ°¿¡ ³»ÀçÇÑ Á¸ÀçÀÇ °ü°è¼ºÀ» »ìÇÇ°Ô µÉ °ÍÀ̸ç, ÀÌ °æÇèÀº È®ÀåµÇ¾î ÀڽŰú ¼¼°è »çÀÌÀÇ Æ´À» ´À³¢°Ô µÉ °ÍÀÌ´Ù. ÀÛ°¡°¡ °ü°´¿¡°Ô Àü´ÞÇÏ´Â ½ÇÁ¦Àû °æÇèÀº Á÷»ç°¢ÇüÀ» Å»ÇÇÇÏ°í °¡Àå ¿Ïº®ÇÑ µµÇü¿¡ °¡±õ´Ù´Â ¿øÇüÀ¸·Î ÇÑ ´ë»óÀ» ¹Ýº¹ÀûÀ¸·Î ½×¾Æ³½ COSMOS ¿¬ÀÛ¿¡¼ ´õ¾øÀÌ È®ÀåµÈ´Ù. ±×ÀÇ ¿¬ÀÛÀº ¹ãÇϴà õüÀÇ ÀÏÁÖ ¿îµ¿À» ¶°¿Ã¸®°Ô²û ÇÏ´Â ÀÛÇ°À¸·Î, °ü¶÷°´¿¡°Ô ¸¶¼úÀûÀÌ°í ¿ìÁÖÀûÀÎ Åë·Î¸¦ Á¦°øÇÏ´Â °Íó·³ º¸À̱⠶§¹®ÀÌ´Ù. ÀÌ´Â ÀÛ°¡°¡ Æò¸éÀ» ÀÔü·Î º¯È¯½ÃÄ×À¸¸ç, ±× ÀÔü ¾È¿¡ ÀÛ°¡¿Í °ü°´ÀÇ ½Ã°ø°£À» ¸ðµÎ ´ã¾Æ³Â±â¿¡ ³ªÅ¸³ È¿°ú¿´À» °ÍÀÌ´Ù.
ÀÛ°¡°¡ ÁÖ·Î ¾²´Â ¹æ¹ýÀº ½×±â (Stacking)¿Í Àç¹è¿ (Rearranging)ÀÌ´Ù. ÇϳªÀÇ ´ë»óÀ» ¹Ýº¹ÀûÀ¸·Î ½×°Å³ª, ÆîÃļ Àç¹è¿ ÇÏ´Â °ÍÀÌ´Ù. ¿¹¸¦ µé¾î °°Àº »çÁø ¼öõ ÀåÀ» ÀμâÇÏ¿© µ¿ÀÏÇÑ À§Ä¡¸¦ Á¢¾î¼ ½×¾Æ ¿Ã¸®¸é °á±¹ º»·¡ÀÇ Çü»óÀº »ç¶óÁö°í Á¾ÀÌ ¿·¸éÀÇ ¾ãÀº À̹ÌÁö°¡ ¸ð¿© µ¶Æ¯ÇÑ, ½ºÆ®¶óÀÌÇÁ·Î °¡µæÇÑ ¼¼»óÀÌ ¸¸µé¾îÁø´Ù. ¶ÇÇÑ ÀÌ·¸°Ô Àý¹ÝÀ» Á¢Àº »çÁøµéÀ» ½×´Â ´ë½Å ¿øÇüÀ¸·Î °¨¾Æ¼ ±× Áö¸§À» Á¡Á¡ Å°¿ö ³ª°¡¸é À̵éÀº ¸¶Ä¡ ¹ÌÁöÀÇ ¼¼°è·Î µé¾î°¡´Â ¹®ÀÌÀÚ ÅͳÎÀÌ µÈ´Ù.
°³ÀÎÀü / 2ÀÎÀü | ||
2020 | Àüº´»ï, Ä÷³½º °¶·¯¸®, ¼¿ï, Çѱ¹ | |
2019 | Áø¸®ÀÇ ´« (ÃÊ´ëÀü), »ç¶û¾ÆÆ®°¶·¯¸®, ¼¿ï, Çѱ¹ | |
2017 | This Very Moment (ÃÊ´ëÀü), CL °¶·¯¸®, ¼¿ï, Çѱ¹ | |
This Very Moment (ÃÊ´ëÀü), CIGE, º£ÀÌ¡, Áß±¹ | ||
2016 | Àüº´»ï & ÇÑÈ£: Contemporary Art and Technology, À¯³×½ºÄÚ º»ºÎ, Æĸ®, ÇÁ¶û½º | |
2014 | Àüº´»ï & ÀÌÈ£Áø, ¾ÆÆ®»çÀÌµå °¶·¯¸®, ¼¿ï, Çѱ¹ | |
2010 | Splendid Scenery, Çö´ë¹éÈÁ¡ º»Á¡ Ưº°Àü½ÃȦ, ¼¿ï, Çѱ¹ | |
2009 | Telerobot_Nanta, TV12°¶·¯¸®, ¼¿ï, Çѱ¹ & RPI µ¥·± Ä¿¹Â´ÏÄÉÀÌ¼Ç ¼¾ÅÍ, Æ®·ÎÀÌ, ¹Ì±¹ | |
2008 | Telematic Drum Circle @ Calit2, ¾ó¹ÙÀÎ, ¹Ì±¹ | |
2004 | We Are Romantic @ Sensorium, 112 Michigan Building, ½ÃÄ«°í, ¹Ì±¹ | |
±×·ìÀü | ||
2019 | »ö, ºû°ú ¾îµÒÀÇ ÀÌÁßÁÖ, Àοµ°¶·¯¸®, ¼¿ï, Çѱ¹, 2019 | |
ÃÊ·Ï°ú Ȳ±ÝÀÇ ³ª¶ó, ¼¼Á¾¹Ì¼ú°ü, ¼¿ï, Çѱ¹, 2019 | ||
2017 | µðÀÚÀκ£ÀÌ¡, ºÏ°æ, Áß±¹ | |
2016 | JIKJI, Golden Seed, ûÁÖ¿¹¼úÀÇÀü´ç, ûÁÖ, Çѱ¹ | |
2015 | Robot is Evolving, ¿¹¿ï¸¶·ç, ¿ï»ê, Çѱ¹ | |
2014 | Sensing Stream, Chi-Cha-Ho, »ñÆ÷·Î ±¹Á¦¾ÆÆ® Æ佺Ƽ¹ú, »ñÆ÷·Î, ÀϺ» | |
Project Daejeon: Artificial Brain, Ä«À̽ºÆ® Àü½ÃȦ, ´ëÀü, Çѱ¹ | ||
Byeong Sam Jeon & Ho Jin Lee Exhibition, ¾ÆÆ®»çÀÌµå °¶·¯¸®, ¼¿ï, Çѱ¹ | ||
2013 | Coexistence, ´ëÀü½Ã¸³¹Ì¼ú°ü âÀÛ¼¾ÅÍ, ´ëÀü, Çѱ¹ | |
2011 | LIFE. Version of Science, WINZAVOD, ¸ð½ºÅ©¹Ù Çö´ë¹Ì¼ú°ü, ¸ð½ºÅ©¹Ù, ·¯½Ã¾Æ | |
Kinetic Art: Art & Play, ÇÑ°¡¶÷¹Ì¼ú°ü, ¼¿ï, Çѱ¹ | ||
2010 | Surveillance, Netfilmmakers ÄÚÆæÇÏ°Õ, µ§¸¶Å© | |
Splendid Scenery, Çö´ë¹éÈÁ¡ ¾Ð±¸Á¤º»Á¡ Ưº° Àü½ÃȦ, ¼¿ï, Çѱ¹ | ||
Lack of Electricity II, ½ºÆäÀ̽º CAN, ¼¿ï, Çѱ¹ | ||
2009 | Telerobot Nanta, TV12 °¶·¯¸® & ¹Ì±¹ RPI µ¥·± Ä¿¹Â´ÏÄÉÀ̼Ǽ¾ÅÍ, Æ®·ÎÀÌ, ¹Ì±¹ | |
Lack of Electricity, ½ºÆäÀ̽º CAN, ¼¿ï, Çѱ¹ | ||
2008 | Telematic Drum Circle, Calit2, ¹Ì±¹ | |
SIGGRAPH ASIA, Suntec Singapore Intl. Exhibition Centre, ½Ì°¡Æú | ||
ArtBots, Science Gallery, ´õºí¸°, ¾ÆÀÏ·£µå | ||
AsiaGraph, Shanghai Exhibition Center, »óÇÏÀÌ, Áß±¹, | ||
Big Bang, UC Berkeley Art Museum, ¹öŬ¸®, ¹Ì±¹ | ||
entre-deux, Beall Center for Art and Technology, ¾ó¹ÙÀÎ, ¹Ì±¹ | ||
Universal Electronic Arts, ¼º³²¾ÆÆ®¼¾ÅÍ, °æ±âµµ, Çѱ¹ | ||
2007 | ACED, Beall Center for Art and Technology, ¾ó¹ÙÀÎ, ¹Ì±¹ | |
PlayTech, Orange County Museum of Arts, ¾ó¹ÙÀÎ, ¹Ì±¹ | ||
Make Fest: O'Reilly Emerging Technology Conference, ¸Çü½ºÅÍ ±×·£µå ÇϾæÆ®, »÷µð¿¡°í, ¹Ì±¹ | ||
Maker Faire, Travis County Fairgrounds, ¿À½ºÆ¾, ¹Ì±¹ | ||
interfACEd: mediating techno-cultural practice, Calit2, ¾ó¹ÙÀÎ, ¹Ì±¹ | ||
Digital Playground, ÅäÅ»¹Ì¼ú°ü, ¼¿ï, Çѱ¹ | ||
2006 | BOXED 3.1, Beall Center for Art and Technology, ¾ó¹ÙÀÎ, ¹Ì±¹ | |
2005 | ISIMD Digital Art Exhibition, Yeditepe University Museum, À̽ºÅººÒ, ÅÍÅ° | |
Manipulations, G2 Gallery, ½ÃÄ«°í, ¹Ì±¹ | ||
Breathe, ATC Gallery, ½ÃÄ«°í, ¹Ì±¹ | ||
Uijeongbu International Digital Art Festival: Digital Playground, ÀÇÁ¤ºÎ¾ÆÆ®¼¾ÅÍ, °æ±âµµ, Çѱ¹ | ||
2004 | SIGGRAPH Art Gallery: Synaesthesia, LA ÄÁº¥¼Ç¼¾ÅÍ, ·Î½º¿£Á©·¹½º, ¹Ì±¹ | |
Art Interactions: I=YOU=ME, Gallery 2, ½ÃÄ«°í, ¹Ì±¹ | ||
Salon, the 6th Internacional De Arte Digital, Äí¹Ù | ||
2001 | The 4th Seoul Marginal Theater Festival¡¯, "µÑ¸öÁþ2", ¹®¿¹È¸°ü, ¼¿ï, Çѱ¹ | |
Á¦7ȸ Á׻걹Á¦¿¹¼úÁ¦¡¯, "µÑ¸öÁþ", ¿ô´Âµ¹Ä·ÇÁ, Á×»ê, Çѱ¹ | ||
Ç»Àü¾Ó»óºí, ±¹¸³±ØÀå, ¼¿ï, Çѱ¹ | ||
44 films on lower-class theater, ³ì»ö±ØÀå, ¼¿ï, Çѱ¹ | ||
2000 | 55 Jurymen and 14 Flatterers, »ïµ¿¼Ò³âÃÌ, ¼¿ï, Çѱ¹, 2000 | |
Á¦2ȸ °øÀå¹Ì¼úÁ¦: ´«¸Õ »ç¶û, ⵿ »ùÇ¥°£Àå°øÀå, ¼¿ï, Çѱ¹, 2000 | ||
°ø°ø Á¶ÇüÀÛÇ° | ||
2017 | BARBERSHOP WONDERLAND, µðÀÚÀκ£ÀÌ¡, º£ÀÌ¡, Áß±¹ | |
2016 | BARBERSHOP WONDERLAND, À¯³×½ºÄÚ º»ºÎ, Æĸ®, ÇÁ¶û½º | |
THE MEN WITH FIVE TONGUES, À¯³×½ºÄÚ º»ºÎ, Æĸ®, ÇÁ¶û½º | ||
THE MOMENT OF ENLIGHTENMENT, ûÁÖ¿¹¼úÀÇÀü´ç, ûÁÖ, Çѱ¹ | ||
2015 | O, ±èÆ÷±¹Á¦°øÇ× ±¹Á¦¼±Ã»»ç, ¼¿ï, Çѱ¹ | |
CD PROJECT, ûÁÖ ¿¾ ¿¬ÃÊÁ¦Á¶Ã¢, ûÁÖ, Çѱ¹ | ||
BEAUTILITY, ûÁÖ ¿¾ ¿¬ÃÊÁ¦Á¶Ã¢, ûÁÖ, Çѱ¹ | ||
DYANAMIC RELAXATION, SOMA¹Ì¼ú°ü ¼¿ï¿Ã¸²ÇÈ Á¶°¢°ø¿ø, ¼¿ï, Çѱ¹ | ||
PANGDORANEE, ±è³ç¸¶À», Á¦ÁÖµµ, Çѱ¹ | ||
2014 | DIGITAL MEM, Chi-Cha-Ho, »ñÆ÷·Î ±¹Á¦¾ÆÆ®Æ佺Ƽ¹ú, »ñÆ÷·Î, ÀϺ» | |
GREENSPHERE, ź¼ÒÁ¦·Î±³À°°ü, ±¸¹Ì, Çѱ¹ | ||
DREAM OF THE SKY, Skyload, ´ëÀü, Çѱ¹ | ||
2012 | CIRCLE OF LIFE, SAMSUNG Digital Plaza, ¼¿ï, Çѱ¹ | |
SOUND LIGHT, ±¤ÁÖ±¹¸³°úÇаü, ±¤ÁÖ, Çѱ¹ | ||
2001 | Dreaming Bus, žÈÁ¶°¢°ø¿ø, žÈ, Çѱ¹ | |
ÁÖ¿ä ÀÛÇ° ¼ÒÀåó | ||
¾ÆÁֹ̼ú°ü (Á¦ÁÖ) | ||
ûÁÖ¿¹¼úÀÇÀü´ç | ||
ûÁÖ¹®È»ê¾÷ÁøÈïÀç´Ü | ||
´ëÀü½Ã¸³¹Ì¼ú°ü | ||
¼Ò¸¶¹Ì¼ú°ü | ||
±¤ÁÖ±¹¸³°úÇаü | ||
Á¦ÁÖÇ×°ø¿ìÁÖ°úÇйڹ°°ü | ||
Çѱ¹°øÇ×°ø»ç | ||
Netfilmmakers (ÄÚÆæÇÏ°Õ) | ||
ÀϺ» »ñÆ÷·Î½Ã | ||
Ãæû³²µµ žȱº | ||
»ç¶ûÀÇ ±³È¸ | ||
RIOT GAMES Korea | ||
»ï¼ºÀüÀÚ ¿Ü ´Ù¼ö | ||
Çз | ||
2008 | ¹Ì±¹ ¾ó¹ÙÀΠĶ¸®Æ÷´Ï¾Æ´ëÇб³ (UC Irvine) °øÇм®»ç | |
2005 | ¹Ì±¹ ½ÃÄ«°í ¿¹¼ú´ëÇÐ (SAIC) ¹Ì¼ú ¼®»ç | |
2002 | È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇÐ Á¶¼ÒÇлç |